二十世纪中国文学 / 现代文学理论及批评 / 比较文学 / 跨文化研究

Monographs and Edited Books

• Du Langage au silence: l’évolution de la critique littéraire au XXème siècle [From Language to Silence: The Evolution of Literary Criticism in the 20th Century], Paris: L’Harmattan, coll. « Critiques littéraires », 2011 (Reprinted in 2013, 2014 and 2020), 250 pages.
• （Edited）Dai Wangshu’s Literary Translations in Hong Kong during the Second Sino-Japanese War (战火下的诗情：抗日战争时期戴望舒在港的文学翻译), with annotations and critical introduction. Hong Kong: Commercial Press (HK) Limited, 2014, iii+424 pages.
• Fanal Obscur: Chinese Modernists and European Leftist Literature (黑暗的明灯：中国现代派与欧洲左翼文艺), Hong Kong: Commercial Press (HK) Limited, 2017, viii+360 pages.
• Shuttling between East and West: Transcultural Dialogue of Modern and Contemporary Chinese Literature (互为东西：中国现当代文学的跨文化对话), Beijing: Zonghua Book Company, 2019, v+300 pages.
• （Edited）Across Eurasia: Translation and Selection of Resistance Literature from Hong Kong Newspapers, 1937-1945 (跨越欧亚：香港报刊中抗战文艺资料翻译与选辑，1937-1945). Hong Kong: Chung Hwa Book Company (Hong Kong) Limited, 2024, 974 pages.

Peer-reviewed Journal Articles

• “The Translatability of Literary Theory: Structuralist Narratology and Chinese Literary Studies,” Tamkang Journal of Humanities and Social Sciences, Vol.29 (2007.3): 39-60.
• “Shanghai against Hong Kong: Reading of Modern Girl, Love in a Fallen City and Passion and Love in Hong Kong” (上海跟香港的「对立」──读《时代姑娘》、《倾城之恋》和《香港情与爱》), Modern Chinese Literature Studies (中国现代文学研究丛刊), 2007(4): 236-259. Reprinted in Research on Modern and Contemporary Chinese Literature (人大复印资料《中国现代、当代文学研究》全文转载), 2007(10): 164-173.
• “Juxtaposition and Contradiction of Two Conceptions of Avant-garde: The Literary Inclination of the Literary Magazine Xin Wenyi (La Nouvelle littérature)” (两种先锋性理念的并置与矛盾──论《新文艺》杂志的文艺倾向), Journal of Chinese Studies (中国文化研究所学报), No. 51 (2010.7): 285-316. [Link] 
• “Russian-Soviet Literature, Francophone Leftists, and Chinese Modernists: Translating and Transmitting Benjamin Goriély’s Les Poètes dans la révolution russe” (俄苏文学、法语左翼与中国现代派：论高力里《俄罗斯革命中的诗人们》的生成、翻译与传播), Journal of Chinese Studies (中国文化研究所学报), No. 61 (2015.7): 245-282. [Link] 
• “Shuttling between East and West: Ye Si, Hong Kong Literature and Modern Chinese Literature from the Perspectives of German and French Scholars” (互为东西——德法学者视野下的也斯、香港文学与中国现代文学), Tsing Hua Journal of Chinese Studies (清华学报), Vol.49, No.1 (2019.3): 151-185. [Link]
• “The Left-wing Internationalism in the Context of European and Asian Wars: Barbusse’s Le Feu and Its Chinese Translation by Ye Ling-feng” (跨越欧亚战争语境的左翼国际主义——论巴比塞《火线》及叶灵凤的中文翻译), Journal of Chinese Studies (中国文化研究所学报), No. 69 (2019.7): 155-195. [Link] 
• “Transnational Literature and Art of Resistance: A Study of Orienta Kuriero (1938-39), a Hong Kong Esperanto Magazine” 超越国族的抗战文艺——论香港世界语杂志《远东使者》 (Orienta Kuriero, 1938-39), Modern Chinese Literature (中国现代文学), Vol. 44 (2023.12): 75-106. [Link]

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