二十世紀中國文學 / 現代文學理論及批評 / 比較文學 / 跨文化研究

Monographs and Edited Books

• Du Langage au silence: l’évolution de la critique littéraire au XXème siècle [From Language to Silence: The Evolution of Literary Criticism in the 20th Century], Paris: L’Harmattan, coll. « Critiques littéraires », 2011 (Reprinted in 2013, 2014 and 2020), 250 pages.
• （Edited）Dai Wangshu’s Literary Translations in Hong Kong during the Second Sino-Japanese War (戰火下的詩情：抗日戰爭時期戴望舒在港的文學翻譯), with annotations and critical introduction. Hong Kong: Commercial Press (HK) Limited, 2014, iii+424 pages.
• Fanal Obscur: Chinese Modernists and European Leftist Literature (黑暗的明燈：中國現代派與歐洲左翼文藝), Hong Kong: Commercial Press (HK) Limited, 2017, viii+360 pages.
• Shuttling between East and West: Transcultural Dialogue of Modern and Contemporary Chinese Literature (互為東西：中國現當代文學的跨文化對話), Beijing: Zonghua Book Company, 2019, v+300 pages.
• （Edited）Across Eurasia: Translation and Selection of Resistance Literature from Hong Kong Newspapers, 1937-1945 (跨越歐亞：香港報刊中抗戰文藝資料翻譯與選輯，1937-1945). Hong Kong: Chung Hwa Book Company (Hong Kong) Limited, 2024, 974 pages.

Peer-reviewed Journal Articles

• “The Translatability of Literary Theory: Structuralist Narratology and Chinese Literary Studies,” Tamkang Journal of Humanities and Social Sciences, Vol.29 (2007.3): 39-60.
• “Shanghai against Hong Kong: Reading of Modern Girl, Love in a Fallen City and Passion and Love in Hong Kong” (上海跟香港的「對立」──讀《時代姑娘》、《傾城之戀》和《香港情與愛》), Modern Chinese Literature Studies (中國現代文學研究叢刊), 2007(4): 236-259. Reprinted in Research on Modern and Contemporary Chinese Literature (人大複印資料《中國現代、當代文學研究》全文轉載), 2007(10): 164-173.
• “Juxtaposition and Contradiction of Two Conceptions of Avant-garde: The Literary Inclination of the Literary Magazine Xin Wenyi (La Nouvelle littérature)” (兩種先鋒性理念的並置與矛盾──論《新文藝》雜誌的文藝傾向), Journal of Chinese Studies (中國文化研究所學報), No. 51 (2010.7): 285-316. [Link] 
• “Russian-Soviet Literature, Francophone Leftists, and Chinese Modernists: Translating and Transmitting Benjamin Goriély’s Les Poètes dans la révolution russe” (俄蘇文學、法語左翼與中國現代派：論高力里《俄羅斯革命中的詩人們》的生成、翻譯與傳播), Journal of Chinese Studies (中國文化研究所學報), No. 61 (2015.7): 245-282. [Link] 
• “Shuttling between East and West: Ye Si, Hong Kong Literature and Modern Chinese Literature from the Perspectives of German and French Scholars” (互為東西——德法學者視野下的也斯、香港文學與中國現代文學), Tsing Hua Journal of Chinese Studies (清華學報), Vol.49, No.1 (2019.3): 151-185. [Link]
• “The Left-wing Internationalism in the Context of European and Asian Wars: Barbusse’s Le Feu and Its Chinese Translation by Ye Ling-feng” (跨越歐亞戰爭語境的左翼國際主義——論巴比塞《火線》及葉靈鳳的中文翻譯), Journal of Chinese Studies (中國文化研究所學報), No. 69 (2019.7): 155-195. [Link] 
• “Transnational Literature and Art of Resistance: A Study of Orienta Kuriero (1938-39), a Hong Kong Esperanto Magazine” 超越國族的抗戰文藝——論香港世界語雜誌《遠東使者》 (Orienta Kuriero, 1938-39), Modern Chinese Literature (中國現代文學), Vol. 44 (2023.12): 75-106. [Link]

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